Panasonic AJ-PX5100GJ P2 HDR AVC-ULTRA Camcorder

Offering HDR capture and RTSP/RTMP streaming/transmission, the AJ-PX5100GJ P2 HD HDR AVC-ULTRA Camcorder from Panasonic is a 2/3″ type video camera with an interchangeable lens system. Designed to speed your ENG or broadcast workflow, the AJ-PX5100GJ features HLG (hybrid log-gamma) recording and RTMPS on-air streaming when used with your wired LAN system or a separately available wireless dongle. This camera captures up to 1080p60/50 video using both dual P2 and dual microP2 card slots. Compatibility with a variety of AVC-ULTRA codecs provides a choice of compression and data rate to suit individual needs, ranging from AVC-Intra200 for mastering to AVC-Proxy modes for quick workflow turnarounds.

The AJ-PX5100GJ camcorder features high-sensitivity, low-noise 2/3″ type 3MOS image sensors for rich, detailed images, a 3.5″ color LCD screen, 24-bit four-channel audio recording, and a variety of control options. Connectors include 3G-HD/SDI input and output and an HDMI output. Genlock input and timecode input/output offer compatibility for multicamera ENG and broadcast usage. Use the AJ-PX5100GJ camcorder with an optional Panasonic AJ-WM50 or AJ-WM30 wireless module or third-party USB dongle for wireless connectivity using Wi-Fi, 4G, or LTE, or connect it to your wired LAN network via the built-in Ethernet connector. This versatile camera features a variety of image setting functions including optical ND and color correction filters, multiple gamma curves, a dynamic range stretcher, five user-assignable buttons, multiple recording options, and versatile remote options including IP and iPad control. Focus features include image zoom and red focus peaking options.

Features

Optimal Image Quality

3MOS Image Sensors

Three 2/3″ type image sensors capture detailed images with high sensitivity and minimal noise

HDR Options

Rich, nuanced HLG (hybrid log-gamma) imaging
Simultaneous HDR and SDR output
SDR gamma curves enable viewing of HDR images on standard dynamic range monitor or viewfinder
Push to select HLG grading in the viewfinder for a quick HLG level check

AVC-ULTRA Codecs

Choose from multiple high-quality, efficient H.264 codecs like:
High-resolution AVC-Intra200 for mastering
AVC-LongG for efficient storage
AVC-Proxy modes for quick turnarounds
Conventional DVCPRO to fit into existing workflows

Versatile Frame Rates

1080p at 24/25/30/50/59.94/60
1080i at 59.94/50 for global use
720p at 24/25/30/50/60 for HD capture
480/60i and 576/50i for SD captur

Advanced Networking

Optional, Flexible Connections for Streaming and P2 Casting

Use with separately available:
Panasonic AJ-WM50 or AJ-WM30 wireless modules
Third-party 4G/LTE dongles
Wired LAN setup
Wired/wireless options include proxy preview, remote camera control, and playlist editing via Mac or PC
Full HD streaming available via QoS (Quality of Service) mode*1, PC, and optional P2SS (streaming server)
QoS (Quality of Service) mode*1

P2 Cast Option for Linked ENG Capture and Distribution

Use with optional P2 Cast cloud services and P2 Case Mobile for near-live ENG relay

Versatile Camera Functions

Optical ND and CC Filters

Clear, 2-, 4-, and 6-stop ND mechanical filters for quick exposure adjustments
3200, 4300, 5600, and 6300K CC (color correction) filters

Chromatic Aberration Compensation

Compensates for circumjacent chromatic aberration when used with a CAC compatible lens

Dynamic Range Stretcher

A DRS (dynamic range stretcher) function suppresses blocked shadows and blown highlights for maximum dynamic range

Multiple Gamma Curves

Choose from eight gamma modes for a distinctive look:
HD, SD, FilmLike 1/2/3, Film-Rec, Video-Rec, or HLG
High Sensitivity / Low Noise
Super gain and digital super-gain settings for increased sensitivity in low light without increased noise

Operating Features

960 x 540 LCD monitor with switchable Live view and Status view
Focus assist features include zoom and red focus peaking
Smooth white balance transitions
Waveform, vectorscope, and zebra functions
Five user-assignable buttons
Lens and setup file storage
On/off selectable tally switch

Versatile Recording Options

Dual P2 card and dual microP2 card slots offer dual-codec, simultaneous, and hot-swap recording options
One-Clip Rec mode enables you to record up to 99 consecutive cuts as a single clip
Pre Rec mode buffer feature stores around eight seconds of video and audio while in standby mode
Loop Rec uses the dual card slots to record an event in loop mode
Interval Rec used for intermittent recording at set intervals and times
One-Shot Rec records individual frames for animation work
Text Memo, Shot Marker, and Metadata recording

24-Bit, 4-Channel Audio Recording

Selectable mic-in, line-in, or wireless receiver recording for each of four channels
24-bit/48 kHz recording in AVC-Intra and AVC-LongG modes

Versatile Connectors

3G-SDI input and output connectors support up to 1080p60/50
2-channel XLR audio input connectors with +48V phantom power
HDMI out, timecode in/out, genlock in
USB 3.0 (host) and USB 2.0 (device)

IP/iPad Remote Control

iPad Remote Control: Downloadable P2 ROP app for picture quality setting, Rec start/stop, thumbnail clip display, proxy preview, metadata display, and editing
10-pin port for optional AG-EC4G Extension Remote Control Unit or AK-HRP200G Remote Operation Panel
Optional camera extension system (AG-CA300G Camera Adapter and AG-BS300 Base Station) for affordable studio operation
IP Remote (LAN) for wired control with the optional AK-HRP200G Remote Operation Panel